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stop motion

LEGO Jurassic World - “A Jarring Encounter"

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LEGO Jurassic World - “A Jarring Encounter"

In honor of the release of Jurassic World or, more specifically, the Jurassic World Lego sets, Lego has put out this cute stop motion animation A Jarring Encounter. Directed by Kris Theorin of Something's Awry, this short captures everything that is charming and iconic about Lego stop motion animations - quirky, slapstick comedy with unexpected punchlines in a recognizably Lego environment. This is what Lego animation should be.

In contrast Lego has also put out Jurassic Pals, a fully CG animation featuring Lego characters in a photo real environment, by CC Pixels. The short is well animated, and beautifully lit and rendered, and I take no issue with it technically. But if The Lego Movie taught us anything, its that the charm of Lego CG animation is that it obeys the rules of Lego physics. Lego is made of solid plastic which doesn't bend, it just rotates at the joints. It is also distinctively adorned with lots of small plastic studs, which allows for the interlocking of pieces and into which the character's feet snap. These facts about Lego are clearly visible in A Jarring Encounter, and The Lego Movie captured them so perfectly that people questioned if it was really CG. Without these elements, the Lego design of the characters is purely an aesthetic choice, and almost incidental to overall film.

So, in conclusion, the rule-breaking nature of the CG animation ends up falling a little flat, but the stop motion A Jarring Encounter is funny and charming, everything a Lego animation should be.

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The History of Typography

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The History of Typography

I find this simple stop-motion animation about the history of typography to be really charming. Created by Ben Barrett-Forrest of graphic design company Forrest Media, the clip is composed of 291 paper letters displayed in 2,454 photographs, and represents 140 hours of work.
What I find most appealing about Ben's work is that, in a time when digital typographic animations are so quick and easy to produce, he has taken the time to craft something by hand. In doing so, he has created an animation which is raw and imperfect, and in places somewhat clunky. But it also has a feeling of being real and tactile, a hand-crafted work of typographic animation which mirrors the origins of the medium it chronicles - the painstakingly hand-made and imperfect way in which type was made and arranged for printing.

The clip is informative and entertaining, but it is its raw imperfect charm which I find most appealing, and why I recommend that you give it a watch

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